![]() The film shows you memorizing all your climbing moves, repeating each tiny detail out of a notebook. By the end, my girlfriend and I were able to have hard conversations in my van and kinda ignore the fact that there’s this other guy with a camera hanging out a few feet away from us. But the real challenge for me was filming all the social interactions and normal life with my girlfriend. On El Cap, I think there were seven or eight cameras but spread out over 3,000 feet, so I still felt very much alone up there. How conscious were you of the camera’s presence?įor free-soloing, it’s pretty easy to ignore distractions. ‘Great Photo, Lovely Life’: A Filmmaker Bravely Confronts Her Pedophile Grandpa Because when I watch it, I definitely see the unkind things I say. Well, I’ve been pleasantly surprised by the positive feedback from audience members so far, who have said that we have a beautiful relationship and it’s presented so honestly. Several times you seem to blame her for setbacks in your climbing career, including when you injure your ankle while climbing together. But you admit in the movie that you can be a bit callous as a boyfriend. Your relationship with her drives the story forward just as much as your climb. My girlfriend definitely fluctuates more from two to nine. That could mean I’m always depressed or I’m never depressed. If a person’s emotional spectrum is between one and 10, my whole life falls somewhere between four and six. It’s funny you mention that, because even when I see that in the film it gives me pause. There is a moment when you fill out a medical questionnaire and come to a question about depression, but the camera cuts before you answer. If you’re going to do it, do it right and just go all in. We’re all gonna go at some point.ĭid you set any boundaries for the filmmakers about what they could show? ![]() And sometimes I’ll say, “Well, have you?” I can kind of tell from their face that they haven’t. It’s funny because I’ve done a lot of interviews where people have asked me if I’ve considered that fact that I could die. And the way I see it, if that scenario of falling to my death is totally overwhelming, then I shouldn’t be up there in the first place. In Free Solo, you describe how a body falling from El Capitan would “explode on impact.” You’ve really thought a lot about that? Alex has made a very conscious choice to do what he loves.” “Could we live with ourselves if we enabled ? It came down to the film itself being about a life well-lived. “We asked ourselves about the ethics of doing this,” says Chai Vasarhelyi, who directed the film with her husband, the celebrated climber and mountaineer Jimmy Chin (the couple also directed the acclaimed 2015 climbing documentary Meru). The risk of death becomes a meta-narrative. It is impossible not to look away from dizzying shots of Honnold spidering his way up the cliff - including a section 1,800 feet high called the “Boulder Problem,” more or less a glass-flat granite wall. Free Solo takes viewers into that process and ultimately right alongside Honnold for the climb itself, which was filmed from multiple angles. The feat, widely considered the greatest in the history of rock climbing, required years of preparation. Nausea-inducing in the most spectacular way, the new documentary chronicles rock climber Alex Honnold’s rope-less ascent in 2017 of Yosemite’s El Capitan, a vertical cliff face twice the height of the Empire State Building. Movie theaters would be wise to include Dramamine along with tickets purchased for Free Solo.
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